Act Da Fool
Posted September 3rd by Abbey in Fashion, Film

Proenza Schouler Presents “Act da Fool” by Harmony Korine



Al Stewart “Year of the Cat”
Posted August 16th by Abbey in Music

Mp3: Al Stewart – Year of the Cat

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Pas Un Autre Mystery Mixtape #017
Posted August 9th by Abbey in Music

Click photo to download mixtape.

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Harajuku: Members Only
Posted July 21st by Abbey in Fashion, Style

For Elliott

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the sleepless loneliness of a private fight
Posted July 12th by Abbey in Photography

“The heroines in Amanda Zackem’s photographs are, by turns, storm-tossed on a sea of blankets, muscular in mid-motion, and supple as cats”

Photography by Amanda Zackem

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what about the heart you promised?
Posted July 10th by Abbey in Film

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the search for truth in the magic circle
Posted June 25th by Abbey in Uncategorized

Harry Price: Magician and Conjurer

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Shutter Shock of Pale My True Love
Posted June 5th by Abbey in Film

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Permeate the Matter of This World
Posted May 31st by Abbey in Poetry

Aquatic Nocturne by Sylvia Plath

deep in liquid turquoise slivers of dilute light

quiver in thin streaks of bright tinfoil on mobile jet:

pale flounder waver by tilting silver:

in the shallows agile minnows flicker gilt:

grapeblue mussels dilate lithe and pliant valves:

dull lunar globes of blubous jellyfish glow milkgreen:

eels twirl in wily spirals on elusive tails:

adroir lobsters  amble darkly olive on shrewd claws:

down where sound comes blunt and wan like the bronze tone of a sunken gong.

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Brassai: From Brasso
Posted May 22nd by Abbey in Photography

In the same way that violinists can be counted on to have remarkable hands, photographers have great eyes. Brassai’s were bouncing balls under aerodynamic eyebrows and his Paris was a city on the cusp “between the era of the Belle Epoque and that of the Modern Age.”  The gas lamps of Europe were giving way to electric streetlights.  That meant a new kind of nighttime, full of sexy pinpoints in the fog, 20th century floodlights over 19th century cobblestones, popguns of brightness in dark places that told dirty jokes about the naked city.  Brassai claimed as his territory the nocturnal city that camera and film technology was just then arriving at the means to capture.

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